“Cinema could enliven consciousness” -Cinemalaya on winning Nikkei Asian Prize

 

The Nikkei Asia Prizes are given to individuals and groups in Asia that have made significant contributions to the region’s development. For its 24th edition of the awards, businessman and arts and culture patron Antonio O. Cojuangco received the Nikkei Asia Prize for Culture and Community on behalf of the Cinemalaya Foundation for helping revive the Philippine film industry on May 29 in Tokyo.

According to the Nikkei citation, “the name Cinemalaya is a portmanteau of Filipino words reflecting the founders’ belief that cinema, ‘cine,’ could enliven consciousness, ‘malay,’ by telling stories in a free and independent manner, ‘malaya.’”

“The organization has striven to shed new light on the country’s film industry, which had been viewed as dead following a huge decline in production,” the citation added.

Cinemalaya films “dared to tackle narratives, characters and subject matter often deemed risky, volatile, esoteric and therefore nonbankable by commercial standards,” said Cojuangco, better known in Philippine business circles as “Tonyboy” Cojuangco.

“In this age of fake news and the weaponizing of social media, we offer our festival as an alternative space for truth-telling,” he added.

Meanwhile, the list of full-length movies in the main competition of the 2019 Cinemalaya festival has been announced.

The competition will witness the directorial debuts of indie producer Joji V. Alonso and actor Xian Lim.

Alonso’s “Belle Douleur (Beautiful Pain)” is a May-December romance while Lim’s “Tabon” is a thriller.

Other competition films:  “Ani,” a futuristic movie about Philippine agriculture, by Kim Zuniga and Sandro del Rosario; “Annak Ti Karayan (Children of the River”) by Maricel Cariaga;  “Fuccbois,” a true-to-life homosexual drama by Eduardo Roy Jr.; “Iska” by Theodore Boborol; “John Denver Trending,” a telling account of the excesses of the social media, by Arden Rod Condez; “Malamaya,” another May-December romance but this time involving bohemian artists, by Danica Sta. Lucia and Leilani Chavez; “Pandanggo sa Hukay,” a feminist drama by Sheryl Rose Andes; and “Edward,” another tender character study by Thop Nazareno (“Kiko Boksingero” and “Kuya West”).

The Selection Committee that chose the final entries included actress Ina Raymundo and award-winning filmmakers Jose Javier Reyes and Rodolfo “Jun” Lana.

Actress and filmmaker Laurice Guillen, president of the Cinemalaya Foundation, is head of the festival organizing committee, while veteran filmmaker Mel Chionglo is Cinemalaya monitoring head.

As for the short film competition, of 168 submitted entries, the selection committee, composed of Nick Deocampo, Teddy Co, Milo Sogueco, Alvin Yapan, and Law Fajardo, determined the 10 finalists.

Finalists are “‘Wag Mo Kong Kausapin” by Josef Gacutan; “Disconnection Notice” by Glenn Lowell Averia; “Gatilyo” by Harold Lance Pialda; “Heist School” by Julius Renomeron Jr.; “Hele ng Maharlika (Lullaby of the Free)” by Norvin de los Santos; “Kontrolado ni Girly Ang Buhay Niya” by Gilb Baldoza; “Sa Among Agwat (In Between Spaces)” by Don Senoc; “Sa Gabing Tanging Liwanag ay Paniniwala” by Francis Amir Guillermo; “Shoemaker” by Sheron Dayoc; and “Tembong (Connecting)” by Shaira Advincula.

Other awardees were given to Indonesian businessman Nadiem Makarim, founder and chief executive of ride-hailing service Go-Jek (business and innovation); and Taiwanese professor I Chiu Liao from the National Taiwan Ocean University for his pioneering work in prawn farming  (science and technology).

The 2019 Cinemalaya Philippine Independent Film Festival will be on Aug 2-11, at the Cultural Center of the Philippines.

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